“Reflektor,” the fourth studio album from Canadian indie rock band Arcade Fire, is a good album that could have been a great album.
Sex, fashion, drugs, repeat.
Into It. Over It., the moniker used by Chicago’s Evan Weiss, borrows elements from late-’90s emo acts on “Intersections.”
Three full-length albums to his credit and Drake has found what works for him.
Lorde, aka 16-year-old Ella Yelich-O’Connor, couldn’t have chosen a better vehicle to introduce herself to mainstream audiences than “Pure Heroine.”
Pearl Jam undoubtedly has become one of those bands who could tour forever off the strength of its early material, making any new releases icing on the cake.
Kentucky-based Cage The Elephant has perfected their own, Americanized version of Brit rock. Their albums dip into the genre while bringing a heavy dose of ’90s-era alternative.
Listening to the first half of “Old,” the third studio album from Detroit rapper Danny Brown, is the equivalent of getting punched by a pillow-wrapped fist.
Kings Of Leon could very well have drifted off into obscurity following their last album, 2010’s “Come Around Sundown.”
Justin Timberlake was just kidding guys.